#Qlab free software#
#Qlab free mac os#
Operating system: Windows 10+, Mac OS 10.14+.Remote Cameras: 2 with Wirecast Rendevouz, + Host.
#Qlab free free#
The following is based on having 8 inputs, outputting video in 1080p, and at least 4 layers for overlays. But let’s do a strict cost comparison between QLab and the major software encoders.
And you can program your show without purchasing a rental license. However, where QLab wins is that you can also use Figure53’s Rent-To-Own feature at $4/day. Compared to some encoders, that cost will get you better control, and similar feature sets for number of inputs and outputs.
#Qlab free pro#
You need to set fades and think about what all of your cues are going to do, but once you’ve set those things and those hotkeys, it’s easy to cruise around on the fly.įor the Pro Video license, QLab costs $399+tax. What it does require is a little bit of planning. Will the audio crossfade from one track to the next, or will it dip and come up, or will the fade out be slower than the fade up? You can set audio levels, video transparency, use up to 1001 video layers, as well as run video effects, all in QLab. The big difference between a software encoder and a control interface like QLab is that it’s built for fine-tuned control of every single detail of your event. You can hotkey an entire group as well as a cue in the middle of a group, allowing you to build out a sequence once, and then decide to only use have of it later on in your broadcast. QLab has the ability to hotkey any cue and any type of cue. Much like the various software encoders on the market these days, you can transition back and forth between different inputs with ease, but because you can also create those sequences of cues that are automatically triggered, you can set up some very complicated sequences that can run with a single button press and the software doesn’t care if you’re moving forwards or backwards. Built in is the capability to create sequences of cues that are automatically triggered, allowing the programmer to set follow times and group cues together.Ī big feature that separates QLab from other control interfaces is that it is specifically set up to be non-linear. Since then, Figure53 has added audio control and lighting control to the software creating a powerful piece of software that has remained affordable. For the first few years, you would largely see QLab being used for video/projection control, especially since it was an affordable alternative to big name control software like Watchout. It began largely as a video playback software, allowing users to scale and skew video directly in the program. QLab was first released on May 25th, 2007. QLab is a piece of audio, lighting and video control software from Figure53. For those companies that are willing to learn a new piece of software, using QLab + OBS (+ some free Syphon software) presents an affordable way to dramatically improve the control and polish of your live streams With a lot of creative agencies or digital marketing agencies pivoting to live streaming as the short term answer to their clients formerly In-Real-Life events, the answer is often using some software encoder solution to handle all the fancy work. For this post, we’ll again stick with live streaming for our comparison.Ī lot of the software encoders on the market have fairly powerful control capabilities built in, but some require a subscription or are fairly expensive. The same goes for other types of virtual events on platforms like Glisser, Livestorm or Hopin.
#Qlab free mods#
For most people running live streams with a digital encoder, they’ll be using Open Broadcaster Studio (OBS) or any of the OBS mods from various platforms, Livestream Studio, vMix or Wirecast. If you read my post that took you through creating a Run of Show, you probably saw me mention that I think QLab is a fantastic control interface and asked yourself what the hell I was talking about.
0 kommentar(er)
